Film, Lifestyle, Opinion

London Film & ComicCon. No, you really SHOULD meet your heroes

They say never meet your heroes, you try telling that to the estimated 100,000 fans who will attend London Film & ComicCon over a single weekend. Or me, as my 5am alarm goes off and I begin my daytrip down to Olympia from Sheffield.

A few years ago the thought of me going to a ComicCon would have been met with cries of ‘No chance, nerrrrrrrrrrrrrrrrrd’. While meet ‘n’ greets and autograph hunting have been around since the 1960s over the last decade or so fan culture has become embedded in popular entertainment and society. We become obsessed with TV shows and film franchises to the extent that they consume our evenings and water cooler talk. The likes of Game of Thrones and the Infinity Saga by Marvel Studios have become so all-encompassing that FOMO (Fear of Missing Out) takes hold. We become more intrinsically involved because, aside from the shows and their stories, there are the theories, the real-life filming locations, the celebrities and the merchandise. The resurrection of cinema coupled with streaming services like Netflix and Amazon Prime have meant that 21st century fantasies have now joined long-standing sagas like Dr Who, Star Wars and Star Trek. This weekend they all come together under one gigantic roof.

crowd

Due to years of cajoling and simply to fit in I’ve decided to put on my black-rimmed glasses and a light blue checkered holiday shirt. No? Do I have to tell you I’m going as Will from The Inbetweeners? The cosplay on show is a lot more blatant with many going as their favourite incarnation of Dr Who (Jodie Whittaker’s coat looks popular across genders), The Joker and Harley Quinn with anime and sci-fi being big draws. The most impressive costumes look stolen from the silver screen with Chewbaccas, Ewoks, Darth Vader and his Imperial comrades, Wonder Women, Power Rangers, Ghostbusters, a couple of slimmed down Thanos’ and a single, foreboding Predator complete with vocal effects. As a mark of a show’s effect on its audience, those coming as Daenerys seem notably fewer than last year (awkward).

To dress up at a stag do or even a kid’s birthday party can feel begrudgingly obliging yet here you feel in the minority if you don’t. My effort is typically lacklustre which is in stark contrast to the vast minority who are brimming with excitement in the queue that winds round the gigantic building from the Kensington Olympia train station. There are bemused locals who have to share the route with costumed Whovians, Khaleesis and superheroes. For me, and the thousands of other attendees, this might be one of the few days a year when we don’t feel weird for liking the things we like as we’re surrounded by like-minded individuals.

For all the fervour, fans are well behaved. There is no over-zealous fawning, no queue jumping, no hysterical running and screaming. They pay attention to queuing lines made out on the ground from tape and wait patiently for their batch or ticket number to be called. The real stars of the show are the crew who make this shebang work. While fans spend hours waiting to pose next to one of their heroes there are staff who work tirelessly to make it happen as close to the schedule as possible. For the most popular photo areas, such as A, B, C and D featuring the likes of Christina Ricci, Jason Momoa and notable actors from Game of Thrones, batch numbers are bellowed out.

An electronic display would be ideal; without one chaos descends when Momoa runs late and his scheduled photo area is moved without any tangible announcement. Though summer has abated for the day it is still warm, water is scarce (expensive too) and sweat is plentiful. Plastic and paper souvenir photo holders are used as makeshift fans as if this is an airport lounge and flights are being delayed. Things understandably become a little desperate in the late afternoon during the PM slots for fans who missed their AM slot and those who left their booking late. They’ve paid their money but time is running out to grab their photo and a bit of that celebrity with it. Only a handful of red and blue crew members know that Momoa is behind schedule and, due to the increasing crowd, few can see if the queue is moving or not. One such hero is a Scottish, bearded man who candidly bellows batch announcements atop a chair to project his voice across the simmering pool of thousands of estrogen-addled women that surrounds him. Like a gameshow host he shouts, “Batches 1 to 20, come on down” and hundreds of women scream as they know they’ll get to meet Momoa in a matter of minutes.

shout

Despite the demand, the queues filter out quickly as a slick conveyor belt of ticket checking, bag dumping, photo taking and retrieval means that hundreds of fans can be seen in half an hour. My stress of being double booked between Gemma Whelan and Blake Harrison is quickly diminished when I figure out I can zip through Harrison’s slot before Whelan’s late running shoot has effectively even begun. It also helps that both actors are as lovely as imagined even though they have to smile for hours on end with absolute strangers. Indeed, for the most part the actors are bona fide pleasant with the odd exception being a former Dr Who who looks like he might throw someone off a roof and a bustling William Shatner who told me to ‘MOVE OUT OF THE WAY’. Though there are signs forbidding it, some actors oblige fans when they ask for a quick photo and an autograph. Franco Nero relents but the photos are without a smile. However, he does smile for my friend Jessica when HE asks HER to take his photo in front of his stand (a particular highlight).

nero

This is a convention first and foremost where comic artists, authors, artists, cosplayers and film-makers can meet the people who make them make their living. There are wrestlers from the 1980’s who look like they could still handle themselves, film-makers, voice artists and stuntmen stepping out into the open as well as established actors and film stars. For them this is a chance to keep their name in the public interest whereas for others it’s a chance to see how big an impact their creation is having or continues to have.

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In my tight circle of friends I might be the only one who can quote Back to the Future line by line yet there are fans queuing to get an the autograph with the film’s writer, Bob Gale, who know the film even more intimately than me. While I can play it cool, others are vibrating with excitement as they hold a poster they have cherished since childhood that has already been signed by the films leads; Michael J Fox and Christopher Lloyd. After queuing for over ten minutes for the second time (even celebrities need lunch breaks) I finally meet Gale and despite clearly suffering from jetlag he is as gracious as I imagine. After slipping the assistant my required £20 he writes out my favourite quote onto the first issue of the comic book series which is based on the show. For those wondering, ‘If you put your mind to it, you can accomplish anything’.

bob

The atmosphere is celebratory, bereft of the commercial interests that pervade the industry. From a fans perspective, they are more than happy to shell out the £25 entry fee if it means being in the same space as the creative souls that entertain them. If it means asking that one question they have always wanted to ask of their favourite character actor they will gladly pay upwards of £75 for an autograph. This is the only place I’m able to find out why there will be no Back to the Future 4 (because you can’t imagine it without Michael J Fox) and how big a risk it was firing Eric Schultz. That information alone is well worth the 5am alarm.

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Film, Lifestyle, Opinion

Diversity and the changing faces of Marvel Studios as they unveil Phase 4

In 1889, Oscar Wilde opined in his essay ‘The Decay of Lying’ that “Life imitates Art far more than Art imitates Life’. It’ll go down as one of those philosophical sayings that no-one truly knows the answer to. Yet in 2019, in an era of #MeToo and striving for individual rights against a backdrop of toxic white masculinity, Wilde may have had more to consider. Part of the hope that the times are indeed a-changing comes from art and more specifically, popular cinema. Marvel Studios have been at the forefront of this sea change and have gone even further with the unveiling of their Phase 4 plans.

Just when Avengers: Endgame officially became the highest grossing film of all-time you would have thought we’d reached Peak Superhero Movies. Not a bit of it. Marvel have seen fit to unveil ten projects as part of their Phase 4 which begins next year. While the sheer volume of creative output may stupify and set jaws to drop it is the open diversity on show that really draws you in. Indeed, the roster of Phase 1 back in 2008 reads like the male changing room to today’s diverse, global, representative boardroom. Still with capes. But more vampires. And kung-fu. And LGBTQ.

Remember, this all began with a rather outlandish looking punt on Robert Downey Jr portraying (and nailing) Tony Stark in Iron Man eleven years ago. The unadulterated arrogance of his performance led the way for the MCU and gave the studio the confidence to crack on. The largely forgettable The Incredible Hulk followed then Downey’s return in Iron Man 2, the introduction of Thor, and Captain America: The First Avenger before the team-up of The Avengers in 2012.

Each of those films centres on, or at least features, a female love interest who for one reason or another panders to the male superhero(es). You have to have some sympathy for Pepper Potts in the first Iron Man as she’s seen handing Christine Evehart her clothes back then as she edges closer to Tony is then left alone on the roof as he flies off to save some faraway town. Betty Ross should be known as a scientist and professor at Culver University but is best known for a primer designed to allow Banner to effectively become Hulk. Another brilliant scientist was Jane Foster yet she manages to fall for the gargantuan stylings of Thor when he drops down to Earth.

As Phase 1 progressed, so did the female characters. Captain Steve Rogers admittedly had little, if any, experience with girls so naturally found it difficult to impress Peggy Carter though unbeknown to him he did manage it. Even before he became Captain America his heroism in jumping on a grenade and candidly lowering the flag were exactly the kind of smarts that gained her attention. Of course, once he stepped out with bulging arms Carter found his physical form rather appealing too yet she’d already been won over by his sensibilities. The first sense of women being treated as equals in this newly fangled world of caped, suited heroes was in The Avenges when Black Widow held her own amidst all the testosterone.

Could you get away with that now? Probably not. While the DCEU stole a march by giving Wonder Woman her own feature, the glass ceiling was well and truly smashed by Captain Marvel being unveiled as the most powerful Avenger. While many thought she would defeat Thanos herself in Endgame she still held her own as impressively as the combination of Iron Man, Thor and Captain America. Part of the joy of that final fight scene, and the film itself, is the prominence of the female characters. Sure, it may have appeared shoe-horned yet when Danvers needed an assist the Gauntlet was escorted by an impromptu Female Avengers team-up of Scarlet Witch, Valykrie, The Wasp, Pepper Potts, Mantis, Gamora, Shuri and Okoye. Danvers got help yet this was a powerful nod that women were no longer makeweights but vital to the story.

Finally the MCU is giving Black Widow her own film. A black vampire will be (re)introduced. Kung-Fu is in. Yes, there was a gay moment in Endagame yet there is the affirmation that Tessa Mae Thompson has declared gay rights in the MCU which went down to wild approval in the San Diego Comic Con. Her portrayal of Valykrie in Thor: Love and Thunder will indeed openly introduce LGBTQ into the superhero world. The actress herself is bisexual which should be irrelevant because who cares who you lay with when you can whoop someone’s ass on screen and in real-life?

Those who boycotted Captain Marvel and accused the studio of hating half of its audience must now be seething yet when the business is booming this is a risk well worth taking, inherently for the greater good. With such a huge audience there is a sense that the studio has a duty to reflect society in all its forms. The studio that took its time to feature women and black actors now has a roster of ethnicties included. Their first Asian lead will be Simu Liu in Shang-Chi and the Legend of the Ten Rings fulfilling the wish/tweet of the actor himself from three years ago. The Eternals will feature Middle Eastern, Latin and Pakistani leads, more importantly the film will portray a deaf hero. This isn’t just ticking boxes for the sake of it, two time Oscar winner Mahershala Ali will become the first Muslim actor to lead an MCU film when he reboots Blade.

The world is changing and so are our superheros. Eleven years ago we looked at Robert Downey Jr as the latest superhero to follow the likes of Superman, Batman, Spider-man et al. As with a lot of society, white men largely set the tone and were singularly portrayed as the heroes. Marvel’s Phase 4 reflects society in its sheer diversity; female, Asian, Muslim and LGBTQ are all given a stage to shine. If art is to imitate life then Marvel have looked to show the next generation that it doesn’t matter what your gender, race, religion or sexual orientation is to be a hero.

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Film, Opinion

Captain Marvel’s Greatest Challenge: Toxic White Men

You don’t need to have seen a superhero origin film to appreciate the rather generic formula that they follow. There’s a certain fascination in revealing how someone can deal then excel with abilities that set them apart from everyone else. Maybe they can fly, perform magic or shrink to minuscule proportions. You could even delve deeper than the latest Marvel or DC blockbuster as the path a hero follows can be seen in the likes of E.T., Luke Skywalker and even the most well-known of them all; Jesus. The formula is pretty simple;

. Character starts out as a normal, unassuming individual

. Character is endowed with a unique and special gift that set them apart from the general public

. Character learns how to deal with said abilities

. Character is threatened by an individual or situation they have to overcome

. Character overcomes threat and saves the day, thus the superhero is born

Thus the premise of Captain Marvel is a familiar one, so why has it seemingly offended so many people? Even before the film was released, the review aggregating website Rotten Tomatoes had changed its rules. Why? Because two weeks before the film had been released, the film had been ‘review bombed’ to drag the user rating down to 34%.

Review bombing isn’t new, different groups organise campaigns to drag down the audience rating of a film or video game as a protest. In this case, thousands of toxic white men are protesting against Captain Marvel’s feminist agenda. Woe betide a *deep breath* powerful woman. OH NO. A comic book superhero with breasts!

Alas, female specific review bombing isn’t new either. The 2016 reboot of Ghostbusters with an all-female team was targeted as was Ocean’s 8. Both were decent 3/5 films and both were targeted for having the temerity of being fronted by women performing roles that had previously been done by men.

On The Basis Of Sex is another hero film that came out this month, albeit a dry biopic rather than a swish CGI-dripping blockbuster. The hero in question doesn’t have a sword nor a rubber spacesuit yet Ruth Baden Ginsburg was another woman doing a man’s role which invited criticism from white men who said it couldn’t be done. Her arguments before the US Supreme Court shattered glass ceilings when she campaigned for gender diversity in the 1970s. Back then the thought of a woman arguing a case before the US Supreme Court was far-fetched, let alone a woman being appointed to it.

There is still work to be done as the campaigns against Captain Marvel indicate. Thousands of men still feel threatened by the idea of a woman being able to kowtow a man, even if it’s clearly make-believe. Simply the portrayal of such an act in a fantasy world is seen as challenging their very being. Geeze.

There’s a scene towards the end of Captain Marvel when Carol Danvers realises the extent of her powers. She realises that she has suppressed her abilities after being told to by the men in her life. Her mentor, Yon-Rogg played by Jude Law, tells her at the very start to control her emotions. So she does. Throughout the film you see her being knocked down and told by the men in her life like her father and fellow male Air Force recruits that she should stay down. Hell, even a stranger tells her to smile more. She keeps going and soon realises the truth which has held her back.

Like Captain Marvel, Ginsburg understood her power once she realised the extent of it. She kept facing the same sexist challenges of unequal pay and wolf whistles. She knew she could overcome them one by one then reach her full potential as an inspiration to so many other women. Once Danvers finds out the truth, that the Kree suppressed her power rather than bestowed it, she literally flies. She realises that she doesn’t need to destroy all the men that stand before her, she’s intimidating enough for the men to think twice about challenging her. Like the best superheroes, she knows she could twist necks and blast holes through anyone that comes before her and she shows restraint. She could burst in and rip Ronan The Accuser’s head off, she could snap Yon-Rogg in two but she humiliates both instead of killing them.

She’s now a weapon that the most powerful men are afraid of. She can fly past them then photon-blast them out of the sky yet her story is what makes her. Like Wonder Woman leading the way out of the trenches, she leads by example and lets the men follow. She has emotional intelligence; she’s empathetic and brave like the best superheroes then  reaches the best outcomes.

In the case of Captain Marvel, many online commenters seemed upset by Larson’s forthright remarks in interviews about how she hopes to increase diversity in the blockbuster world. She’s a vocal feminist and a brilliant actress, perfectly cast as Carol Danvers against a sea of misogyny. James Woods has ‘sat this one out’ and thankfully his campaign looks to have fallen on deaf ears as the film is about to cross $900m. She may even lead The Avengers to victory in Endgame which would really piss off the toxic white men.

 

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Film, Opinion, TV

Oscars 2019 Predictions

It’s that time of the year again. When the local cinema becomes my second home as I make a desperate attempt to watch all the Oscar nominated films in time for the award ceremony.

In this post I will go through each category and predict a) which film I want to win and b) which film I think will win. Here goes:

ACTOR IN A LEADING ROLE

CHRISTIAN BALE – Vice
RAMI MALEK – Bohemian Rhapsody

If someone can explain the decision on whether Viggo Mortensen or Mahershala Ali would be lead actor in Green Book that’d be great as I still cannot separate them. Having said that, to portray such a well-loved figure as Freddie Mercury and THEN pull off his vocal performances, Rami Malek should be taking this home. If the panel want to avoid the Bryan Singer furore they’ll likely go for the safe option of Bale who nailed Dick Cheney.

ACTOR IN A SUPPORTING ROLE

MAHERSHALA ALI – Green Book
ADAM DRIVER – BlacKkKlansman                                                                                              RICHARD E. GRANT – Can You Ever Forgive Me?

Since watching him in Girls, I’ve been entranced by most of Adam Driver’s performances and it seems a distant hope for him to win. That’s mainly down to the competition here including Ali whose career has also taken off after sterling performances in another TV show; House of Cards. He’s also sublime in Green Book.

Despite Chris O’Dowd being initially chosen for the role, I simply cannot see any other actor portray Jack Hock than Richard E.Grant. He plays the part with such zeel, I rooted for him even though he kills Israel’s cat and trashes her flat. There’s the obvious Withnail comparisons to make yet this is far more tragic with a final laugh given when he asks Israel to leave him some dignity in her depiction while he’s on death’s door. Finally, after his heartwarming social media appearances wouldn’t it be great to see him performing an acceptance speech?

ACTRESS IN A LEADING ROLE

OLIVIA COLMAN – The Favourite

I enjoyed McCarthy, endured Aparicio (sorry, I really didn’t enjoy Roma), and was enthralled by Gaga. Yet if Colman isn’t doing another deliciously humble acceptance speech there’s something wrong with the world. If only for that clip of her shouting ‘Look at me, LOOK AT ME, HOW DARE YOU’, which makes me giggle every time I see it.

ACTRESS IN A SUPPORTING ROLE

AMY ADAMS – Vice
EMMA STONE – The Favourite
RACHEL WEISZ – The Favourite

Despite my overarching crush on Emma Stone, Weisz just edged out her performance. Shoutout to Adams who also nailed Lynne Cheney.

ANIMATED FEATURE FILM

SPIDER-MAN: INTO THE SPIDER-VERSE

Spider-Man: Into The Spider-Verse wasn’t just my favourite animated film, it was probably one of my favourite films of the year. Every frame had something to catch your eye from the use of vivid colour and the trippy comic book effects that had me spellbound. The dialogue is equally sharp and each character brings something to the table.

CINEMATOGRAPHY

COLD WAR – Łukasz Żal
THE FAVOURITE – Robbie Ryan
ROMA – Alfonso Cuarón

I have it on good authority that when Arctic Monkeys played Sheffield Alex Turner ventured to the nearest independent cinema to watch Cold War. That’s enough of a reason for it to remain on my list of films to watch. Roma was more easily accessible and even if I failed to enjoy the film on my sofa, the cinematography is easy on the eye so I could not argue if this won. For a Netflix film this probably says something about the advances of subscription services that a film we’ve watched at home on our widescreen TVs should be nominated for an Oscar for cinematography. If the Oscars stick to tradition I can see this being another for The Favourite

COSTUME DESIGN

THE BALLAD OF BUSTER SCRUGGS
THE FAVOURITE

A Netflix film that I did enjoy was The Ballad of Buster Scruggs and the attention to detail was there to be enjoyed. Again, I have an inkling that The Favourite will live up to it’s title AGAIN.

DIRECTING

BLACKKKLANSMAN – Spike Lee
THE FAVOURITE – Yorgos Lanthimos
VICE – Adam McKay

This is arguably the hardest category for me to call. After The Big Short translated the financial crash of 2008 into a hard-hitting, entertaining film I was again impressed that McKay could take down Dick Cheney and still humanise one of the most destructive figures in 21st century politics. Then there’s Spike Lee who takes the KKK down to a laughing stock. THEN there’s Lanthimos who takes the premise of a period drama and almost makes it cool.

DOCUMENTARY (FEATURE)

FREE SOLO

Another film on the list is Free Solo and having heard it featured on Kermode and Mayo’s brilliant Film Review podcast I will make an effort to see if it lives up to the hype.

DOCUMENTARY (SHORT SUBJECT)

BLACK SHEEP
END GAME
LIFEBOAT
A NIGHT AT THE GARDEN
PERIOD. END OF SENTENCE

Pfft, haven’t seen any of them so I’m opting out of this one.

FILM EDITING

BOHEMIAN RHAPSODY – John Ottman
GREEN BOOK – Patrick J. Don Vito

Best judged by the films during which I failed to check my watch. That narrows the list down to two; Green Book which has it’s own pre-ordained finish so I knew it would end with Christmas. However, as a huge fan of Queen I knew the film would climax on THAT Live Aid performance. Understanding what needed to be done behind the scenes to salvage the film edges out the decision for me.

FOREIGN LANGUAGE FILM

ROMA – Mexico
SHOPLIFTERS – Japan

Shoplifters is another film on the list and given I failed to see the hype in Roma means that I can still see it edged out.

MAKEUP AND HAIRSTYLING

MARY QUEEN OF SCOTS – Jenny Shircore, Marc Pilcher and Jessica Brooks
VICE – Greg Cannom, Kate Biscoe and Patricia Dehaney

Godamn. Margot Robbie looks close to unrecognisible as the smallpox-ridden Queen Elizabeth I but close to ridiculous too. That I bought into Bale as Cheney says so much about the transformation he undertook that I’d love to see the award go that way.

MUSIC (ORIGINAL SCORE)

BLACK PANTHER – Ludwig Goransson
IF BEALE STREET COULD TALK – Nicholas Britell
MARY POPPINS RETURNS – Marc Shaiman

Having seen Hamilton two weeks before Mary Poppins Returns I still cannot understand why they didn’t just leave the songs to Lin-Manuel Miranda. After walking out of the cinema, the songs had already left my head. The Black Panther OST is effortlessly cool as you’d expect when you give the reins to Kendrick Lemar. However, for a film centred around the vibrant sounds on the streets I’d give this to If Beale Street Could Talk simply for the showcasing of how putting on a vinyl record can change the mood in a room.

MUSIC (ORIGINAL SONG)

THE PLACE WHERE LOST THINGS GO – from Mary Poppins Returns; Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman
SHALLOW – from A Star Is Born; Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

Nope. I still can’t remember any of the Mary Poppins songs. Plus an original Lady Gaga song is in the running having been produced by Mark Ronson, just give them the award.

BEST PICTURE

BLACK PANTHER
BLACKKKLANSMAN
BOHEMIAN RHAPSODY
THE FAVOURITE
GREEN BOOK

Agh. As much as I would love to see Black Panther grab the award I’d be surprised if they plumped for a ‘superhero’ film, even if it is undeniably brilliant. Blackkklansman would likely be a controversial choice as would Bohemian Rhapsody for the Singer controversy which leaves The Favourite and Green Book battling it out. If either won I’d be happy, another for The Favourite I reckon.

PRODUCTION DESIGN

BLACK PANTHER – Hannah Beachler; Jay Hart
THE FAVOURITE – Fiona Crombie; Alice Felton

Now, if Black Panther was a controversial choice for Best Picture it’s nod for Production Design should not be that remarkable. Whether that be Shuri’s wildly futuristic workshop or M’Baku’s wooden rustic greeting room, the film excelled in showcasing the wonders of Wakanda. Sigh, I wouldn’t be surprised if The Favourite won either.

SHORT FILM (ANIMATED)

ANIMAL BEHAVIOUR
BAO
LATE AFTERNOON
ONE SMALL STEP
WEEKENDS

See DOCUMENTARY (SHORT SUBJECT)

SHORT FILM (LIVE ACTION)

DETAINMENT
FAUVE
MARGUERITE
MOTHER
SKIN

See above

SOUND EDITING

BOHEMIAN RHAPSODY
FIRST MAN

At times during First Man I thought I was sat next to Ryan Gosling during each flight. Then again, the sound in Bohemian Rhapsody is also suitably superb.

SOUND MIXING

BOHEMIAN RHAPSODY
FIRST MAN

That NASA co-operated with First Man over authentic sounds of spacecraft and Mission Control to successfully replicate the experience edges this again for me.

VISUAL EFFECTS

AVENGERS: INFINITY WAR
FIRST MAN
READY PLAYER ONE

Having read Ready Player One it was gratifying that Spielberg had managed to pull the vision from the pages and out of my head onto the big screen. The climatic battle at the end is a masterpiece yet this is another toss-up. To choose between CG Thanos and NASA’s trip to the Moon, I’ll likely plump for the former.

WRITING (ADAPTED SCREENPLAY)

BLACKKKLANSMAN – Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
CAN YOU EVER FORGIVE ME? – Screenplay by Nicole Holofcener and Jeff Whitty

That Spike Lee has only won an honorary Oscar in 2016 means I desperately want him to take this one home. The film rolls along with such balance between intent and playfulness that makes it feel all the more remarkable that it actually happened.  If for some ridiculous reason Lee doesn’t get the Oscar he deserves I can see this going to Can You Ever Forgive Me?

WRITING (ORIGINAL SCREENPLAY)

ROMA – Written by Alfonso Cuarón
VICE – Written by Adam McKay

I’ll be honest. I’m never quite sure where the definition of ‘original’ comes from. Does it mean a screenplay pulled from real events or imaginary ones? If the latter then Roma looks a shoo-in yet I’d want to see Vice take it.

Feel free to let me know your thoughts.

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Film, Music, Opinion, Podcasts, TV

Top Ten Tings of 2018

Films

Swinging into top spot was arguably the greatest animated film I have ever had the pleasure to see and it only came out a few weeks ago. Seriously, if you’re reading this and unsure whether to drop into your multiplex close the computer screen, get to the cinema and thank me later. It’s jaw-droppingly great.

  1. Spider-Man: Into the Spider-Verse
  2. Mission: Impossible – Fallout
  3. Avengers: Infinity War
  4. Black Kkklansman
  5. Black Panther
  6. Widows
  7. Bohemian Rhapsody
  8. Creed II
  9. The Death of Stalin
  10. Ghost Stories

 

Albums

Testament to how little space there is on my record shelves, I have physical copies of only half of this years top ten. Shameful I know, especially when I have one of the greatest record shops in the land on my doorstep in Beartree Records. In the case of top spot, I may have gone overboard with three yet this is what happens when my favourite band decides to open an exclusive shop in town. Even before hearing the album I had gold, silver and cassette copies but it took an evening in the bath for the long-player to finally hit home. Some albums just need a bit of dedication and judging by the critical reception that gold copy will remain unopened.

  1. Arctic Monkeys – Tranquillity Base Hotel & Casino
  2. Courtney Barnett – Tell Me How You Really Feel
  3. Goat Girl – Goat Girl
  4. Sunflower Bean – Twentytwo In Blue
  5. Miles Kane – Coup de Grace
  6. Parquet Courts – Wide Awake
  7. Dream Wife – Dream Wife
  8. Young Fathers – Cocoa Sugar
  9. Let’s Eat Grandma – I’m All Ears
  10. Hinds – I Don’t Run

 

TV Shows

There are some TV shows that are considered compulsive viewing. Not simply for plot twists but because you appreciate that most of the country has already seen it and you don’t want to miss out. That was the case with Killing Eve where I would see the show mentioned by friends on social media, then websites. Before long I had recognised Jodie Comer and Sandra Oh before even settling down to watch it. Sadly I devoured it in the space of a week. I am willing to argue that Bandersnatch is neither a film nor a TV show, it’s something uniquely brilliant that I have spent years wondering if it was ever possible (nice one, Charlie Brooker)

 

  1. Killing Eve
  2. Atlanta (S2)
  3. Black Mirror: Bandersnatch
  4. The Haunting of Hill House
  5. Narcos: Mexico
  6. Making A Murderer: Part 1
  7. The Handmaid’s Tale (S2)
  8. Mark Kermode’s Secrets of Cinema
  9. Sunderland ‘Til I Die
  10. Luther (S1 – 4)

 

Live Performances

Yes. I’m counting theatre and live orchestras alongside concerts.

Yes. Having seen Hamilton I now fully appreciate the hype (as does the lucky girl who got my spare ticket as I may have made her entire year).

Yes. More bands need to visit Sheffield.

Yes. I probably need to go to the theatre more often.

  1. Hamilton at Victoria Palace Theatre, London
  2. Arctic Monkeys at Sheffield Arena
  3. Game of Thrones Live at Manchester Arena
  4. Wolf Alice at Manchester Victoria Warehouse
  5. My Dad Wrote A Porno at Sheffield City Hall
  6. Goat Girl at Picture House Social, Sheffield
  7. Flight Of The Conchords at Manchester Arena
  8. Courtney Barnett at Manchester Academy
  9. Sunflower Bean at Leeds Festival
  10. Noel Gallagher’s High Flying Birds at Tramlines Festival, Sheffield

 

Podcasts

I really do need help. That my top two podcasts of the year centre on porn and murder indicates that I really have a depraved mind. Strangely, both have mentioned each other during the year as if both appreciate the same disturbed set of listeners. It’s not just me!

  1. My Dad Wrote A Porno
  2. S’laughter: True Crime Podcast
  3. Distraction Pieces
  4. Reasons To Be Cheerful
  5. The Totally Football Show
  6. The Cinemile
  7. Football Weekly
  8. United We Stand Podcast
  9. The Adam Buxton Podcast
  10. Myths and Legends
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Film, Music, Opinion, TV

Top Tens of 2017

This is likely not the only ‘Top Tens’ blog post you have seen in the last few weeks and now I’ll add my choices to the mix. The lists fail to include that many leftfield choices though The Florida Project was one film I read a review of then viewed on a whim and now I expect it to win a couple of Oscars (it’s a genuinely remarkable piece of work and I’d highly recommend it to anyone).

Female fronted acts have also dominated my musical choices with gig highlights for the year including the first date of Lorde’s world tour at Manchester Apollo and The Big Moon at Tramlines and Sheffield Plug. I’ve also spent way too much time on Netflix (admittedly without the ‘chill’ aspect) and managed to blitz my way through The Crown, Rick ‘n’ Morty and The Keepers in a matter of days. There’s still several series’ I hope to get through in these cold opening months of 2018 so feel free to comment if there’s anything else you think I’d like.

Films

  1. Thor: Ragnorak
  2. Get Out
  3. Baby Driver
  4. The Florida Project
  5. Star Wars: The Last Jedi
  6. Paddington 2
  7. Dunkirk
  8. Wonder Woman
  9. War for the Planet of the Apes
  10. The Big Sick

 

Albums

  1. Wolf Alice – Visions of a Life
  2. The Big Moon – Love in the 4th Dimension
  3. Alvvays – Antisocialities
  4. Lorde – Melodrama
  5. Baby Driver OST
  6. Noel Gallagher’s High Flying Birds – Who Built The Moon?
  7. Run the Jewels – Run the Jewels 3
  8. Loyle Carner – Yesterday’s Gone
  9. Kendrick Lamar – Damn
  10. The Horrors – V

 

Television Shows

  1. Game of Thrones: Season Seven
  2. Stranger Things: Season Two
  3. The Crown: Season Two
  4. GLOW
  5. Rick n Morty
  6. Bojack Horseman
  7. Riverdale
  8. Making A Murderer
  9. Line of Duty: Season Four
  10. The Keepers
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Film, Uncategorized

The Oscars 2016: Predictions

Granted, this isn’t exactly an original post as I did the exact same thing for 2014’s ceremony. Looking back I was miles out from the results too; I predicted Wolf of Wall Street to clean up and that Leonardo di Caprio would finally get his Best Actor nod, it seemed overdue then too.

This year’s awards are a bit more predictable, or at least it seems there are more obvious winners with a few standout performances. One element that is sadly predictable is the lack of black nominations. However, I cannot seem to recall an outstanding performance that SHOULD have garnered a nomination so it does not seem so glaring an omission. Not like David Oyelowo for Selma, now THAT was an injustice.

Anyway, onto the categories…

BEST PICTURE

The Big Short

Bridge of Spies

Brooklyn

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

  • I’d love to see Mad Max: Fury Road claim this simply for how wondrously high-octane and bonkers crazy that film is but they don’t give out Best Picture Oscars for that. No, they hand them out to ‘difficult watches’ like Schindler’s List hence it seems just that The Revenant should get this, if not Room.

 

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ACTOR IN A LEADING ROLE

Bryan Cranston, Trumbo

Matt Damon, The Martian

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

  • It just has to be, doesn’t it? He fought with a bear, he endured -25c conditions and slept in a horse. What does he have to do to win one!? Anyway, Eddie Redmayne won LAST year.

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ACTRESS IN A LEADING ROLE

Cate Blanchett, Carol

Brie Larson, Room

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse Ronan, Brooklyn

  • I’ll be honest, I haven’t seen the other nominations but Larson brings such depth to her performance, such gravitas that once you see it you cannot imagine it being beaten.

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ACTOR IN A SUPPORTING ROLE

Christian Bale, The Big Short

Tom Hardy, The Revenant

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

  • Again, it’d be warming to see Tom Hardy get this as he arguably outshone Di Caprio. Rylance was sublime in Bridge of Spies but Stallone might edge this.

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ACTRESS IN A SUPPORTING ROLE

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Rachel McAdams, Spotlight

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

  • Fair to say I had a giddy smile every time Leigh popped up on screen during The Hateful Eight, she was such a spiteful bitch. So she won’t win and as I haven’t seen the other nominations I’d take a stab at Vikander.

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ANIMATED FEATURE FILM

Anomalisa

Boy and the World

Inside Out

Shaun the Sheep Movie

When Marnie Was There

  • Again, I’ve only seen the one film I’m going for but Inside Out is a heartwarming, hilarious classic. Plus it got me and Mum out of the house with smiles on our face for a bit during the worst week in July.

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CINEMATOGRAPHY

Carol

The Hateful Eight

Mad Max: Fury Road

The Revenant

Sicario

  • While I yearned for my days back in the huge expanse of Australian desert during Mad Max there was something beautiful captured in nearly every scene during The Revenant.Yes, the conditions were perilous but when you see the glistening landscapes of Alberta in all their snow-dipped magnificence it certainly appeared worth it.

COSTUME DESIGN

Carol

Cinderella

The Danish Girl

Mad Max: Fury Road

The Revenant

  • The battered leather, the face mask and those elegant yet daring white sarongs. They’ll probably give it to The Danish Girl though.

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DIRECTING

The Big Short

Mad Max: Fury Road

The Revenant

Room

Spotlight

  • I know he won last year but Iñárritu’s immersive direction throws you into the midst of the film. Arrows go whizzing past and you can almost feel the -25 chill, that’s the sign of a master director at work

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DOCUMENTARY (FEATURE)

Amy

Cartel Land

The Look of Silence

What Happened, Miss Simone?

Winter on Fire: Ukraine’s Fight for Freedom

  • Yes, I didn’t see the other nominations but having endured her death as played out in the public eye at the time, Amy broke my heart.

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FILM EDITING

The Big Short

Mad Max: Fury Road

The Revenant

Spotlight

Star Wars: The Force Awakens

  • If there was an award for editing so a film that ran over 2 hours fails to feel even half that long, oh wait, there is. Done.

 

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MAKEUP AND HAIRSTYLING

Mad Max: Fury Road

The 100-Year-Old Man Who Climbed out

the Window and Disappeared

The Revenant

  • You try keeping up your appearance in the Australian desert when you’re NOT driving around. There’s red dust EVERYWHERE.

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MUSIC (ORIGINAL SCORE)

Bridge of Spies

Carol

The Hateful Eight

Sicario

Star Wars: The Force Awakens

  • An original score from Ennio Morricone simply has to win, doesn’t it?

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MUSIC (ORIGINAL SONG)

“Earned It,” Fifty Shades of Grey

“Manta Ray,” Racing Extinction

“Simple Song #3,” Youth

“Til It Happens To You,” The Hunting Ground

“Writing’s On The Wall,” Spectre

  • Geeze, there must have been some slim pickings if Sam Smith’s ‘effort’ was nominated.

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PRODUCTION DESIGN

Bridge of Spies

The Danish Girl

Mad Max: Fury Road

The Martian

The Revenant

  • I’m aware I’m overlooking Mars but Bridge of Spies looked and felt like you would imagine Germany during the Cold War. The brooding wall, the palpably murky edginess lying around every street corner, it all looked organically authentic.

 

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SOUND EDITING

Mad Max: Fury Road

The Martian

The Revenant

Sicario

Star Wars: The Force Awakens

  • Y’know, when I’m watching a film I never, ever think ‘Oh my, they really edited that swoosh well’. But then Star Wars had lightsaber swooshes and The Millenium Falcon so…

SOUND MIXING

Bridge of Spies

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

  • See above.

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VISUAL EFFECTS

Ex Machina

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

  • The Martian recreated Mars but Star Wars recreated GALAXIES.

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WRITING (ADAPTED SCREENPLAY)

The Big Short

Brooklyn

Carol

The Martian

Room

  • Basing this one on my wise auntie and her excellent opinion after reading the book.

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WRITING (ORIGINAL SCREENPLAY)

Bridge of Spies

Ex Machina

Inside Out

Spotlight

Straight Outta Compton

  • Oh look, a black nomination. Even then I’d like to see Ex Machina nab this as it seemed so outlandish yet such a disturbingly real idea. What if you could create AI? Then to explore the idea so vividly was very impressive.

 

Feel free to agree/disagree in the comments section.

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Film

My trip to 1955 Hill Valley with Secret Cinema

Let me take you back in time, to mid-July 2014 in fact, when I was due to attend the opening weekend of Secret Cinema’s production of Back To The Future. On Thursday afternoon that evening’s performance was cancelled, on Friday afternoon they cancelled the first WEEK. Along with a few thousand punters I was livid yet there was the silver lining that I could attend the full Tramlines weekend in Sheffield. Alas, I would not be one of the first to review the event but my chance eventually came on Friday and I was bowled over. Now that the month-long run has finished I can discuss the event in depth.

From the overground station in Highbury and Islington you could easily spot who was going, of which there were 3,500 each night with 70,000 tickets sold overall. Bright summer dresses for the girls and braces for the gentleman yet considering that Hoxton and Dalston were also nearby stops this could have been just another Friday night in these parts. Upon disembarking at Hackney Wick the commuters now looked out of place compared to the dinner jackets, bowties and polka dots.

Then there were the rich, Californian accents instructing patrons where to go for the ‘Hill Valley Town Fair’. As my group arrived we grabbed cans of lager from the nearest off-licence and set off for the 20 minute stroll past the Olympic Stadium and back into 1955. The entertainment began before we had even entered the site as a dressed up couple endured a ‘hands-on disagreement’ and only when the man in the lumberjack shirt exclaimed “But Lorraine, I know you want it” did you realise you were fooled. That Lorraine then joined our group only added to the fun.

I was then asked to help a lad retrieve his push bike off the bridge only to be brusquely told not to bother by a gang member in 3D glasses. After heeding that warning I could admire the lengths most had gone to look the part in 1950s garb. Those that did not stuck out, including 1985 Marty McFly in a red gillet with a skateboard and Doc Brown in a scientist outfit and grey afro. There was also one bearded hipster in front of us who turned out to be Iain from The Great British Bake-Off.

Outside Hill Valley were police troops kitted out in dark blue shirts and shades which disguised steely-eyed gazes. For a few minutes you were returned to 2014 and all the bureaucracy we have become used to. Bag checks, ticket checks and a final request to hand over mobile phones. I am usually apprehensive about handing over my phone yet on this occasion I was willing, I really wanted to enjoy the night without wanting to impress on Instagram.

Once inside you could note that the exhibits took their cue from the film, not simply in appearance but at what point you experience them as you stroll through. Farmer Peabody’s farm/sheep and goat petting zoo is the first you experience and the first that appears in 1955 Hill Valley in the film. Biff Tannen’s house lies on the outskirts of town, as it does in the film. You can have your photo taken outside the iconic Lyons Estates billboard (for £5) or be transported across town in a Cadillac or school bus but no photo to be had with the DeLorean.

Welcome to Hill Valley

Welcome to Hill Valley – “A Nice Place To Live”

Then we entered the square and from here you could fully embrace the immersive experience you had been promised, apart from the overbearing John Lewis’ shadowing the site. The clock tower was prominent with the clock itself stopped at 10.04, though in the film that only occurs after the lightning strike. With it being Friday night we headed straight for the bar. A house band was playing but was largely ignored and their keyboard made for an awkward juxtaposition. As drinks were retrieved one of the drama students (actresses) flirted uncontrollably with Brody, the Australian in the group. It was cute, kitsch and heart-warming. It made you feel part of the production, especially when she chatted with her drunken teacher who was dancing riotously behind us. A shop in the corner sold 3D glasses for $1 and disposable cameras for $6 when of course they meant pounds. Unfortunately, 1955 prices were not on show as cocktails in paper cups were still £6 and bottles of wine were £20, evidently this was still London.

On closer inspection the level of detail that went into the shops was remarkable.
. The red vinyl seats in Lou’s Diner,
. The local bank with cash machines hidden discreetly in the corners
. The plane seats for a ‘flying experience’ in the local travel agent.
. The Texaco garage where you could grab a Budweiser
. Roy’s Records and Comics
. The beauty parlour offering 50’s makeovers
. JD Armstrong realty office
. The Hill Valley Telegraph
All of it had a modicum of thought and consideration behind it. Despite all this I found the alter ego I was given of High School student, Jimmie Trapp, a bit useless. Not once did anyone check my ID or homework.

Dancing Away

Dancing Away at the ‘Enchantment Under The Sea’ Dance

My favourite part of Hill Valley was actually going back to school. Every locker looked authentic with scrawled graffiti, crushes identified on notes and photo-cards with one even featuring Marty McFly. In the school hall the ‘Enchantment Under The Sea’ dance was in full swing with more drama students (they’re the ones in the more realistic costumes) showing the punters how to do the Charleston. On the stage, Mr Strickland introduced Marvin Berry and The Starlighters as they ran through the hits including an exhilarating rendition of Johnny Be Goode (alas, without Marty McFly) and Earth Angel for all the lovers out there. A DJ took over and kept up the 50’s choons until something weird happened, an 80s flashmob complete with tracksuits leaving the ’50’s drama students’ to learn breakdancing.

The 80s Flashmob

The 80s Flashmob

By 8.45 all reconvened on the astroturf that was the town square, a parade of the town’s characters went around the square and we grabbed some food before the screening. As far as I’m concerned, Back To The Future is the perfect Friday night movie with so many moments that I have seen so many times I can replay them in my mind’s eye. What I was not prepared for was seeing those scenes on the big screen with actors acting them out in front of us. There was the unveiling of the DeLorean, which gave me goosebumps, Marty skateboarding around the town as he’s chased by Biff and his goons, George knocking out Biff at the prom and the final scene involving Doc hanging off the clock tower; all superbly acted which made it all feel a little surreal.

Hill Valley Town Square

Hill Valley Town Square

During the rest of the film I found myself cheering, laughing and booing, you simply could not stop feeling involved. What I will remember though is not the funfair, or the DeLorean whizzing around the square but the atmosphere that pervaded the whole event. At one point I chatted with another punter outside the toilets about how much fun I was having when usually I’d be checking my phone, oh what a time we live in.

Photos courtesy of Lee Mullin

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Film

Oscar Predictions. My personal preferences.

It is awards season and tonight is the big one, The Oscars. Being such an American event I am afraid to admit that I have never actually watched the ceremony the whole way through. I could blame the time difference, the tired showing-off on the red carpet, the kiss-up reporters and the celebrityism but unlike The Superbowl it isn’t on terrestrial TV here.

Now I’m no film buff, I try to catch a flick at the cinema every week and I have a list of films that I need to see  (this weekend I finally watched Singin’ In The Rain and Wolf Creek). I can’t say I’m an expert in cinematography or direction but, like everyone, I have an opinion and these are my predictions based on the films that I have seen. This is not a list which is based on which performances I THINK will win but which performances I HOPE are awarded. Feel free to disagree/agree in the comments section.

NB – I did this two years ago in an office sweepstake and finished in the bottom three but having wildly different opinions than industry types is not necessarily a bad thing is it.

 

BEST PICTURE

“12 Years a Slave”
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
“The Wolf of Wall Street”

There are some great films in that list but the one I enjoyed the most was Wall Street. Not just because of the performances, having read the book I had such high expectations for it then it blew me away.

 

BEST DIRECTOR

David O. Russell, “American Hustle”
Alfonso Cuaron, “Gravity”
Alexander Payne, “Nebraska”
Steve McQueen, “12 Years a Slave”
Martin Scorsese, “The Wolf of Wall Street”

Yesyes, I’m aware what a superb job Cuaron did in such difficult circumstances with basically a green screen to work with. However, McQueen runs such a tight ship and you can see in such long, arduous shots that it takes a genius to squeeze that out of a crew and cast.

 

BEST ACTOR

Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
Matthew McConaughey, “Dallas Buyers Club”

Poor Christian Bale, he remains one of my favourite actors and I thought he was sensational in Hustle. Then they stick him against three top runners and you forget how good a performance it is. Anticipating the chin-strokers at the Academy Ejiofor will probably get this. However, DiCaprio fully deserves an Oscar and it’s a travesty he hasn’t got one, yet. His performance in Wall Street is gargantuan; tragic, laugh out loud funny and ferociously delivered. Knowing the Academy they’ll probably give it to McConaughey, the bastards.

 

BEST ACTRESS

Amy Adams, “American Hustle”
Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”

I’m still surprised that Adams hadn’t caught pneumonia by the end of the shoot so I was pleased she could deliver her lines without chattering teeth. Having said that, Sandra Bullock negotiated 15% of the box office earnings for Gravity so she must have known she’d put in a top notch performance, which she did.

 

BEST ORIGINAL SCREENPLAY

“American Hustle” – Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” – Written by Woody Allen
“Her” – Written by Spike Jonze
“Nebraska” – Written by Bob Nelson
“Dallas Buyers Club” – Written by Craig Borten & Melisa Wallack

Having only seen only 2/5 films in this category my prediction isn’t exactly fair on the three I haven’t seen. Never mind. Give it to Hustle for sheer audacity.

 

BEST ADAPTED SCREENPLAY

“Before Midnight” – Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” – Screenplay by Billy Ray
“Philomena” – Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” – Screenplay by John Ridley
“The Wolf of Wall Street” – Screenplay by Terence Winter

Having read the book I thought Wall Street looked largely how I imagined it, arguably even more ridiculous. I was saddened that Scorcese didn’t stick the boot into bankers and capitalism yet that’s not being awarded here is it.

 

BEST SUPPORTING ACTRESS

Lupita Nyong’o, “12 Years a Slave”
Jennifer Lawrence, “American Hustle”
June Squibb, “Nebraska”
Julia Roberts, “August: Osage County”
Sally Hawkins, “Blue Jasmine”

I’m not entirely sure why Jennifer Lawrence is nominated here for what is pretty much an overshadowed but amusing performance. Nyong’o delivered a painful delivery but for anyone who has seen Nebraska they will be praying that June Squibb gets the nod. Given the best lines in the entire film she had me in stitches with her vicious, occasionally deadpan delivery. Plus, seeing her deal with her ridiculous husband in the film I’d love to see her in a state of shock accepting the award.

 

BEST SUPPORTING ACTOR

Barkhad Abdi, “Captain Phillips”
Bradley Cooper, “American Hustle”
Michael Fassbender, “12 Years a Slave”
Jonah Hill, “The Wolf of Wall Street”
Jared Leto, “Dallas Buyers Club”

By now I really should have seen Captain Phillips and Dallas Buyers Club but alas, that’s the situation I find myself in. Until now I never really rated Jonah Hill as an actor but alongside Di Caprio he stands up and delivers in a funny, energetic performance.

 

BEST CINEMATOGRAPHY

“The Grandmaster”
“Gravity”
“Inside Llewyn Davis”
“Nebraska”
“Prisoners”

Either the warm glow of Inside Llewyn Davis or the bleakness of Nebraska would be a deserved winner. Then Gravity turned up and ruined it for everyone. No brainer for me.

 

BEST COSTUME DESIGN

Michael Wilkinson, “American Hustle”
William Chang Suk Ping, “The Grandmaster”
Catherine Martin, “The Great Gatsby”
Michael O’Connor, “The Invisible Woman”
Patricia Norris, “12 Years a Slave”

While Hustle stayed true to it’s 70s sensibilities I spent more time wondering how cold Amy Adams was than actually paying attention to the film. Poor girl. While it was such a disappointing, overblown, over-hashed film I thought the costumes were slick enough in Gatsby to give the nod.

 

BEST FILM EDITING

“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“Gravity” Alfonso Cuarón and Mark Sanger
“12 Years a Slave” Joe Walker

I’ll be honest, I’m not quite sure how you award this so I’ll put it bluntly. In a scale of 1-10, 10 being ‘arse numbing, losing the will to live after an hour’ and 1 being ‘tight’, I thought 12 Years kept me engaged.

 

BEST FOREIGN LANGUAGE FILM

“The Broken Circle Breakdown” Belgium
“The Great Beauty” Italy
“The Hunt” Denmark
“The Missing Picture” Cambodia
“Omar” Palestine

Omar, duh. I want to hear my name read out.

 

BEST MAKEUP AND HAIRSTYLING

“Dallas Buyers Club” Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” Stephen Prouty
“The Lone Ranger” Joel Harlow and Gloria Pasqua-Casny

Hang on. Where’s Gatsby and Hustle? Is this a joke?

 
BEST ORIGINAL SONG

“Alone Yet Not Alone” from “Alone Yet Not Alone”
Music by Bruce Broughton; Lyric by Dennis Spiegel

“Happy” from “Despicable Me 2”
Music and Lyric by Pharrell Williams

“Let It Go” from “Frozen”
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

“The Moon Song” from “Her”
Music by Karen O; Lyric by Karen O and Spike Jonze

“Ordinary Love” from “Mandela: Long Walk to Freedom”
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen; Lyric by Paul Hewson

If The Moon Song wins does Karen O get to pick it up? If so, GIVE HER THE DAMN AWARD. Wouldn’t mind seeing Pharrell Williams’ silly hat though.

 
BEST PRODUCTION DESIGN
“American Hustle”
Production Design: Judy Becker; Set Decoration: Heather Loeffler

“Gravity”
Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard

“The Great Gatsby”
Production Design: Catherine Martin; Set Decoration: Beverley Dunn

“Her”
Production Design: K.K. Barrett; Set Decoration: Gene Serdena

“12 Years a Slave”
Production Design: Adam Stockhausen; Set Decoration: Alice Baker

Gatsby. Partly because I accidentally walked onto the set in Sydney overlooking Darling Harbour. Looked very well designed to me.

 

BEST SOUND EDITING

“All Is Lost” Steve Boeddeker and Richard Hymns
“Captain Phillips” Oliver Tarney
“Gravity” Glenn Freemantle
“The Hobbit: The Desolation of Smaug” Brent Burge
“Lone Survivor” Wylie Stateman

Best sound editing? Right. Well. You shouldn’t really get to hear much in space should you so I’ll give it The Hobbit.

 

BEST SOUND MIXING

“Captain Phillips” Chris Burdon, Mark Taylor, Mike Prestwood Smith and Chris Munro
“Gravity” Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro
“The Hobbit: The Desolation of Smaug” Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson
“Inside Llewyn Davis” Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” Andy Koyama, Beau Borders and David Brownlow

Best. Sound. Mixing. That’s a category is it? Guess they do this one early because everyone has found their seat huh. Soddit, let’s give The Hobbit another one. (I really don’t know how you can tell the difference)

 

BEST VISUAL EFFECTS

“Gravity” Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould
“The Hobbit: The Desolation of Smaug” Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
“Iron Man 3” Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick
“The Lone Ranger” Tim Alexander, Gary Brozenich, Edson Williams and John Frazier
“Star Trek Into Darkness” Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

Ahahahahaha. Seriously. Why are the others even bothering turning up? The Hobbit had dwarves and a dragon, Iron Man 3 had a few CGI bots, Lone Ranger had… a horse on a platform? Star Trek looked good. Then again, Gravity WAS ENTIRELY IN SPACE. C’mon now.

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